Similar to other animistic religions, Ninzuwu does not hold the belief in a body of scriptures that are said to be the word of the “Creator of the Universe.” We believe that the only book given to humanity by, what many call the creator, is nature itself. When we study nature we learn about our Parent Spirit. When a person basis their spirituality on a book, they will always be under someone else’s control, as they must have someone explain to them the meaning of the book they are using as a spiritual foundation. It is the oldest trick in the book.
The idea of a religion having a founder and its practitioners must follow a set of “sacred” writings can only be defined as someone from an advanced civilization sharing its culture with an uncivilized people. Think about it for a second. Although religious mythology throughout the world may vary, there is one point that is consistent among these; all of the world’s “prophets” that carried a “divine message” had to deliver such to an uncivilized people, or a nation that fell in discord with the ways of heaven and earth.
On the other hand, we consider what many call “God” to be protective ancestral genii of a said nation or family line. Being descendants of the Ninzuwu, we are given texts by means of divine inspiration from our ancestral genii that aid us in our growth and development in a theocratic society that we call Nyarzir. Below is a listing of these divinely revealed texts as recognized by The Ninzuwu Shinto Monastery of the Necronomicon Tradition:
The Ivory Tablets of the Crow: The Ivory Tablets of the Crow is the initiatory rite of the Art of Ninzuwu, a spiritual practice said to have originated during the Jomon period, closely associated with the Tengu, Yatagarasu, and Ryujin Shinko (Dragon god faith). During the Jomon period an empire existed, whose boundaries stretched from the Far East into what is known today as ancient Mesopotamia. Traces of this empire can be found in the legends of the continent of Mu and stories about a struggle for what is known as the Tablets of Destinies, which marked the breakdown of this kingdom. The Tablets of Destinies was understood to be “the power of Anu” by the ancient Mesopotamians. It is said by some to be the Yi Jing of Chinese, and an esoteric knowledge of a secret society that was occasionally revealed to mankind by the Tengu and the Yatagarasu. The Ninzuwu, being the keepers of the sacred knowledge, shared this technology with mankind in the mathematical language of dreams and other practices that are closely associated with what is known today as Shinto and Yi Jing Sorcery, which are not separate schools when understood properly, the Cult of Nyarzir. It was by the use of the mathematical language of dreams, that an initiate can interpret and communicate with the same forces that he/she are being influenced by, and what deity that they may call upon for clarity, but also how transmute their own DNA and evolve in being. This is the meaning of the Tablets of Destinies, also known as the Yi Jing.
The Armor of Amaterasu Ohkami: The Armor of Amaterasu Ohkami is a collection of essays on the advanced practices of Shinto Magic, according to the Art of Ninzuwu Tradition. The reader should have a working knowledge of the Art of Ninzuwu and its philosophy. This text is not for the beginner. It can, however, be used as a reference for those interested in Esoteric Shinto.
The Yi Jing Apocrypha of Genghis Khan: The Yi Jing Apocrypha of Genghis Khan is a working companion of the Ivory Tablets of the Crow and a rare translation of the I Ching (Book of Changes). Originally, it was thought to be circulated and developed by members of Black Dragon Society in their investigation of the Art of Ninzuwu (Yi Jing Sorcery).The Art of Ninzuwu is a very powerful transformaional process and is said to be one of the oldest forms of magical practice in the world. The Yi Jing Apocrypha of Genghis Khan also reveals the historical authenticity of what appears in the Ivory Tablets of the Crow and how it is applied to Yi Jing divination. The book gives a thorough, yet mystical, explanation of each of the sixty-four hexagrams and compares them to the Sixty-Four Letters of Genghis Khan. The book also explores the spiritual side of Genghis Khan and his connections to shamanism. Formulas for accessing the vibration of the hexagrams are given, as well as, advanced initiatory practices of Ninzuwu. The book also examines the Yi Jing’s relationship to ancient Sumerian spirituality and reveals the location of the legendary land of Dilmun, and the possibility of a Yi Jing originating in ancient Mesopotamia. Many people who presently use the I Ching in their lives will find this text truly rewarding. Others will now be able to validate the historical authenticity of what appears in the Ivory Tablets of the Crow. People, regardless of their political, racial, religious, and spiritual background can gain some wisdom from the Yi Jing Apocrypha of Genghis Khan. Another theme that is prominent in the text is the Yi Ching’s relationship to Shinto and the fundamental creed of the Black Dragon Society. The Appendix includes excerpts from a speech given prominent member of the Black Dragon Society and his views on Dr. Mikao Usui. Caution: The Yi Jing Apocrypha of Genghis Khan is an advanced initiatory path into a rare form of sorcery. The Hexegrams are arranged in the order of their initiatory steps. The editor suggests that the book be read first in its entirety before practice.
Ame-no-Ukihahshi: The Ancient Martial Art of Ninzuwu: A rare treatise of Ame-no-Ukihashi, an esoteric martial form held sacred by practitioners of the Art of Ninzuwu. Developed and named after its founder, Ame-no-Ukihashi-hime-no-Mikoto, during the Heian period, it is the only martial art based on the supernatural abilities of the Yuki Onna. This book discusses the history and philosophy of Ame-no-Ukihashi in great detail. The sacred dance of Ame-no-Murakumo-no-Tsurugi, martial poses hidden in the hiragana script, which form a series of katas used in the development of clairvoyant abilities and self-transformation, is described and its corresponding force of influence.
The Sacred Text of Ghost Dragon Kotodama: The Sacred Text of Ghost Dragon Kotodama by Warlock Asylum discusses the ceremonial and shamanic rites of the Art of Ninzuwu practice, which includes a rare initiation into the current of Yukionna. It has been heralded as Japan’s first grimoire. In order for the reader of this text to make use of the information provided in this book, they should have access to the mystical rites contained in The Ivory Tablets of the Crow, The Armor of Amaterasu Ohkami, and The Yi Jing Apocrypha of Genghis Khan. The Sacred Text of Ghost Dragon Kotodama covers the proper use of The Yi Jing Apocrypha of Genghis Khan, its initiatory rites, and how to employ the Hexagrams. The Gate-walking initiation into the current of Ame-no-Ukihashi-Hime-no-Mikoto, popularly known as Yukionna, and her seven signs are fully explained, along with initiatory instructions, including a full description of the Seven Ghost Dragons and their incantations. The 72 Talismans of the Onmyodo, their traditional meanings, and how they are used in the Art of Ninzuwu is discussed in full detail. For the first time in print, knowledge surrounding esoteric Shinto’s “ghost element,” is provided. This classic work features an Introduction written by Grandmaster Ashida Kim, who provides us with an amazing glimpse into the world of Esoteric Ninjitsu.
The Marie Laveau Corpus Text: The Marie Laveau Corpus Text is the final initiatory teachings in the Art of Ninzuwu Series. The book covers the history and practical application of many of the Ninzuwu practices and entities. The reader is expected to familiar with The Ivory Tablets of the Crow. The history of Marie Laveau and her contribution to the Art of Ninzuwu, along with her “gospel,” are presented in this text. Rare information about the Simon Necronomicon and its place in the Art of Ninzuwu Tradition is discussed in thorough detail, along with the history of a secret society, of which Shinto and Voodoo descended from and their relationship with Ninzuwu is provided. This book should serve as a valuable resource to those who are exploring the Ninzuwu path, along with occult history and so much more.
The Oracle of Enheduanna: The Oracle of Enheduanna is considered by many scholars to be one of the oldest known magical texts in the world, dating back to 1617 B.C.E. It is believed to have been the principle book used in the magical, mystical, and spiritual workings of ancient Mesopotamia.